This past quarter I have been researching whether Yarn Bombing will grow in popularity or become a faint memory in the upcoming years. This question took me on a journey that would thrill and inspire me. The first question I must answer is what is Yarn Bombing. Magda Sayeg from Houston, Texas started this form of street art in 2005, originally it was a joke to see how pedestrians would react to knit works being put outside, but the trend took off. This original act of knit graffiti spurred a reaction that made people take notice; Tina Fey even mentioned it in an SNL skit. Now you can Google “Yarn Bombing” and thousands of results will come up including blogs, pictures and newspaper articles.
I created a survey to find out if people actually know about the street art phenomena called Yarn Bombing and found that fifty-six percent of those who took the survey had not even heard of Yarn Bombing before. Most people deduced that Yarn Bombing has to do with yarn but a lot of people brought violent connotations to their perceived definitions. Once people were given the true definition of Yarn Bombing, (A form of street art where people take knit or crocheted materials and place them in public areas. Common places for Yarn Bomb tags are sign poles, bike racks, benches, railings and statues.), they not only thought of it as more interesting but also as something they would like to see.
This absence of prior knowledge about what Yarn Bombing is very important to the question “Will Yarn Bombing grow in popularity or become a faint memory?”. A lack of knowledge on the topic means that there is still a large market to tap and inform, but it also means that if people are not informed faster than they lose interest the art will be forgotten. The survey I created had promising results in category; while many had never heard of Yarn Bombing there was a large interest in actually seeing knit pieces up and in their neighborhoods. Most of the people who reacted positively to the aspect of knit graffiti also said they had no interest in actually becoming a Yarn Bomber. This means that while people are still learning about Yarn Bombing they mostly will become consumers and not producers of street art. This is true in most art forms, suggesting that there are consumers out there, but are there producers?